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Paul Eekhoff
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Advanced Macro Photography: Studio Techniques
In the second part of our series on macro photography, still-life photographer Paul Eekhoff shares some tips and techniques for studio work.
Getting Better Results in Macro Photography
Author and photographer Jon Canfield shares some tips for improving macro images.
What's the Difference between Assigning and Converting to an ICC Profile?
Color management expert Tom P. Ashe demystifies a tricky Photoshop tool.
Special Effects in Photoshop: Soft Blends
Photoshop expert Al Francekevich shows how to create a soft-edged blend in a collage image.
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Jay Dickman
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What Does a "Live View" Screen Add to a Digital SLR?
National Geographic photographer Jay Dickman put the new Olympus EVOLT E-330's "live view" monitor to the test.
Getting the Best Digital Prints from Your Lab, Part 2
In his continuing quest for great lab prints, Tom P. Ashe sent a test image to four different labs and asked them to print it. Here, he analyzes the results.
Getting the Best Digital Prints from your Lab
Color management specialist Tom P. Ashe explains how to work with a lab to get accurate, great-looking prints.
Making Panoramas with Photomerge
Digital pro Al Francekevich shows how to create panoramas out of multiple images, using Photoshop's handy Photomerge feature.
FTP and Beyond: Electronic File Delivery, Part 2
Industry pro Judy Herrmann explains why FTP is the standard file delivery method, and what alternatives exist.
Technology FAQ -- Stuffing and Zipping: Electronic File Delivery, Part 1
Judy Herrmann answers readers' questions about stuffing and zipping files for delivery.
Stuffing and Zipping: Electronic File Delivery, Part 1
In the first of a two-part series on delivery, Judy Herrmann explains why file compression is desirable when submitting images electronically.
Technology FAQ -- Selective Color Painting in Photoshop
Each month, we answer frequently asked questions about the previous month's Technology article. Here, Al Francekevich answers questions about selective color painting in Photoshop.
Selective Color Painting in Photoshop
Combining color with black and white in Photoshop is relatively simple and can lead to dramatic effects.
To RIP or not to RIP?Making Black and White Digital Prints, Part 2
Printing expert George DeWolfe describes four different methods for improving your black-and-white output.
Technology FAQ -- Making Black and White Digital Prints, Part 1
Al Francekevich answers readers' questions about preparing color files to print in black and white.
Making Black and White Digital Prints, Part 1
In the first of a 2-part series, Al Francekevich offers tips for preparing a color digital file to print in black and white.
Tech FAQ: Enhancing Your Output
Jeff Dorgay answers readers' questions about output.
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Olympus Storefinder
Find your local Olympus dealer for price quotes, free product demonstrations, or to purchase Olympus products.
E-System Overview
Catapult you over any photographic boundary you've ever experienced with the Olympus E-System.
Cameras
Find out more about the E-System "the first 100% all-digital SLR system built from the ground up for digital photography."
EVOLT E-410 Camera
EVOLT E-510 Camera
Lenses
Discover why Olympus E-System and Zuiko Digital Lenses TM are designed to meet the everyday needs of professional photographers.
Four-Thirds
Why is Four-Thirds the new standard for next generation digital SLR camera systems?
E-System FAQ
Your Web resource for commonly-asked questions about Olympus.
Press Releases
Get the latest product and event news from Olympus
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